THE WINTER INSIDE, novel, Serpent's Tail, 2000
'Kenworthy is a master of the believable, and here he has written a stingingly bittersweet novel.'
- Publishers Weekly
'A fabulous, assured debut novel. Events are brilliantly, sometimes perfectly described. The Winter Inside is unreservedly recommended.'
- Interzone
'Kenworthy accurately captures the despair of helpless love.'
- Booklist
'Kenworthy's debut novel is exceptional. It's a fierce and combative piece of work.'
- The Third Alternative
'From the start, Kenworthy's skill with words blazes through. His prose has a rhythm that draws you into the story, and he plants ideas in subtle and disturbing ways. Kenworthy really is a natural storyteller.'
- Time Out
'The Winter Inside is lifted above the ordinary by its unremitting control of tone and pace, and convincing renditions of the two principle characters.'
- The Canberra Times
'Kenworthy is one of our best and most versatile imaginative writers. His invention is matched only by his gift for character, his humanity and his ability to draw you, quietly and cleverly into his fascinating and original stories. He is a writer of substantial gifts.'
- Michael Moorcock
'A bleak, tightly written tale of failed intimacy and mutual incomprehension. Relentlessly focused.'
- Times Literary Supplement
'Christopher Kenworthy is a young writer with a commanding prose style and the atmosphere of Nick's unenviable life is well drawn.'
- The Times
'Kenworthy writes with great skill. He's ruthlessly realistic.'
- Buss
'The Winter Inside shows the benefits of Kenworthy's lengthy career as a short-storyist: he's adept at quick-stroking atmosphere and plausible characters. This London-set love story exposes the confusions of lust, intimacy and obsession. An impressive debut.'
- The Australian
'In one of the bleakest portrayals of destructive love played out in a suburban world, Kenworthy renders the cruelty at the heart of love.'
- The Big Issue
'The writer's gift for creating believable events and characters only add to the lull of false security, as the reader is drawn quietly and cleverly into the creeping darkness. This book is tense, erotic, gripping and dangerous.'
- Kimota
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